Tree of Life Eco mitts

A dream realised, and I am mostly content with the result!
The reality is that REALITY and IDEAS ABOUT REALITY are not the same thing. This is especially true in the world of arts and crafts where you can have a brilliant creative idea, and what comes out of your dyepot or off your wheel and needles is just, well, disappointing. So mostly I am of the don't plan TOO much and see what happens persuasion. This is what doing abstract art at Art School does to your creativity...
However THIS project was pretty methodical! That's a knitting thing I think, knitting can be a very left brainy thing... The "see what happens" part of it was the dyeing and allowing a little magic into the yarn by not worrying too much where the 2 plies fell next to each other.
So. I found a pattern I really liked, although the mitts were a little too pointy for my tastes. (I understand it's a traditional shape, but it wasn't exactly me.) So "Tree of  Life". What could be more perfect for my "as low as I can go" low impact mittens?
Back in the summer I was gifted two fleeces from a friend who lives just up the road.(Yay! Very little carbon footprint there!) One a black hebredean, and one an unknown shearling. Upon sampling, they were both full of double cuts, but soft and springy. The shearling a little softer, the hebredean a little longer in staple. I set about gradually dyeing up the shearling fleece, mostly solar (& eco) dyeing over the summer, although the woad urine vat (see other blog post...) was heated on the stove every night and then wrapped up in a wool hotbox to maintain the required vat temps for the dyeing magic to occur.

Come the Autumn I got a drum carder! I was thinking of mittens. I was thinking of how the sky is in Yorkshire in the winter : layers of subtle greys, blues, pale yellows, odd hints of other colours. So I rummaged through my summer dyed stash and found a range of yellow to rust to grey to green, to beautiful woad dyed blues, all from Karen's shearling...., soft and springy. So I made them up into about 100g of batts: I carefully faded the batts from yellow on one side through browns and greys then to blues (with flecks of other colours here and there). I made two batts. I spun two bobbins short draw, (madly pulling out double cuts as I went) aiming to keep the colour sequence similar in both, and then plied them together to get " Wintery sky" the yarn above. The colours came out great, some parts more solid, some more heathery, which worked great for the winter sky effect I was going for. This was to be the background to the tree silouette, which I spun longdraw from rolags in the hebredean. (When I'd sampled it, longdraw worked out nice and soft, short draw, a bit too ropey...). The WPI was very very slightly thicker on the hebredean, which didn't matter too much...
On and off between Advent Fair and first snowfall, I squeezed in knitting up the mittens ( I was also knitting 3 Christmas presents at the same time...). Why is it harder to justify knitting for yourself?! I have no Catholic ancestory (or presentory...)...
I have done very little of this kind of knitting (stranding? colourwork?) before, only really some sampling of trad fair isle patterns on a scarf. So I was pleased it went so well, although some of the tree branches are a little improvised! The leaves were very pleasing to do, especially on the thumbs. One of the mitts has slight furrowing where I LINED UP MY FLOATS instead of staggering them, as I learned was best to do AFTERWARDS. But hey! live and learn. I'm not a perfectionist, and I'm pretty proud of the whole project, not least because they are very low impact on the sourcing and dyeing fronts, and quite beautiful in the snow/ bright sunlight!

Solar dyeing and tour de fleece

What a wonderful thing a sunny half term is: it has meant that I have been able to indulge myself with solar dyeing some wool and to "get in training" for the Tour de Fleece on Ravelry. I am slightly part of Team UK and our set training this week is to spin and ply a Chain Ply yarn, of whatever length. I took this as an excuse to blend some delicious baby batts on the mini drumcarder ( from predyed merino, recycled sari silk, a dash of soya fibre and red angelina) and then spin it from the fold. Halfway along I felt the urge to try spinning from the fold LONGDRAW, which I managed with ease. That's never clicked before, but I think the fluffy batts helped with that. I was really pleased with the resulting squidgey yarn, something I don't normally manage when Chain Plying. Although in the begining I didn't manage to put quite enough twist in for it to hold together in the ply, I soon worked that out. So there is a funny improvised patch in the middle of the yarn that I will probably cut out when I come to knit it.

 My treadling is improving, as I could go really SLOW when I needed too for the chain ply action.

 The fantastically warm sun in our backyard has meant I've been able to do some SOLAR DYEING which I love it's so easy and you don't use up any energy except your own (slight) and the abundant sun's. For the bluey greys and pinks I used lacs and black beans, put in a plastic bag ( NB No holes!)  after mordanting with mouldy rhubarb stems (oxalic acid). I dribbled patches of  lac dye directly onto the wool in the bag, then patches of black beans too. I topped the bag up a little with some water, so the wool was covered, and tied it tightly. I put it on an old baking tray and sat it in the sun for 2 days. One of the advantages of solar dyeing is that you have much less chance of felting, it's also really unmessy. I've had great results with doing it in jars too. Inside the containers it gets really hot: steam results! I've used a photo of the jars, as it's much more photogenic than an old plastic bag....